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Where Science Meets Art

Cinematic Color That Stops The Scroll

We know how it feels when your footage looks nothing like the vision in your head. Flat log files, mismatched cameras, colors that shift between shots — it kills the mood before your story even starts. Our certified colorists sculpt every frame in DaVinci Resolve Studio with Flanders OLED monitoring, delivering grades that make your audience feel something before they think.

Cinematic Color That Stops The Scroll illustration
500+
Projects Graded
HDR
Dolby Certified
8K
Max Resolution
48hr
Rush Available

Is Your Footage Looking Flat And Lifeless?

We fix the color problems that kill your visual story

Every Shot Looks Like A Different Video

You shot across multiple cameras or lighting changed mid-scene — now your footage jumps between warm, cool, overexposed, and dark. We balance and match every shot to the frame so your audience sees one seamless visual story

Your Log Footage Looks Gray And Dead

Straight-from-camera log or RAW footage has zero emotional punch. We transform that flat data into rich, dimensional images with depth, contrast, and a mood that pulls viewers in — whether that's warm nostalgia or cold thriller tension

Colors Look Wrong On Every Screen

You grade on your laptop and it looks completely different on your phone, your client's monitor, and in the theater. We deliver platform-specific masters — Rec.709 for web, P3 for cinema, HDR10+ for streaming — so your grade translates everywhere

You're Wasting Hours On LUT Packs

You've bought every LUT pack on the market but nothing matches your footage. Stock LUTs are one-size-fits-all — we build custom looks from scratch on calibrated Flanders OLED monitors, designed for your project's specific cameras and lighting

Every frame sculpted for maximum emotional impact

Color Grading Services

DaVinci Resolve Primary Correction

Exposure balancing, contrast sculpting, saturation mapping, and precise white balance using DaVinci Resolve Studio's node-based pipeline — establishing a bulletproof foundation for every creative grade

Custom Creative Looks (Not LUT Packs)

Hand-crafted grades built from scratch for your project — film emulation with Kodak Vision3 and Fujifilm Eterna character, bold stylized palettes, or subtle naturalism that becomes your signature visual identity

Surgical Secondary Correction

Isolate and adjust skin tones, sky gradients, product colors, and specific elements using DaVinci Resolve qualifiers, power windows, and object tracking — fix problems your audience notices but can't name

HDR10+ & Dolby Vision Output

Dolby Vision and HDR10+ certified grading for premium displays with expanded dynamic range — highlights that glow, shadows that retain detail, and images that leap off OLED and cinema screens

Film Stock Emulation

Authentic analog character modeled after Kodak Vision3 500T, Fujifilm Eterna 500, Kodachrome 64, and vintage Super 8 stocks — grain structure, halation, highlight rolloff, and color response that digital can't replicate without help

Flawless Skin Tones Across Every Ethnicity

Accurate, flattering skin rendering using vectorscope-guided correction on calibrated OLED monitors — the single detail that separates student films from cinema and amateur color from broadcast-ready output

Noise Reduction For High-ISO Footage

DaVinci Resolve Studio temporal and spatial noise reduction that salvages footage shot at ISO 3200+ — preserving detail and sharpness while eliminating the grain that screams 'shot in low budget'

VFX Plate Color Matching

Seamless color integration between live-action plates, green screen composites, and CGI renders — no telltale color seams between real and rendered elements that break the illusion

The Grading Workflow

From log to look in four precise steps

01

Technical Assessment

Analyze footage characteristics, create optimized timeline, and establish shot-to-shot continuity with scene detection

02

Balance & Match

Primary correction to neutralize camera differences, balance exposure, and create a consistent baseline across the project

03

Creative Grade

Apply the signature look, selective adjustments, shot-specific refinements, and creative vignettes that serve the story

04

Master Delivery

Render in all required formats: cinema DCP masters, broadcast deliverables, web-optimized versions, and archival preservation

Grading Investment

Transparent pricing for every project scale

Essential

Perfect for web content and independent creators

$150/minute
  • Primary correction
  • Shot-to-shot matching
  • 1 signature look
  • Rec.709 deliverable
  • 2 revision rounds
  • 48-hour turnaround
Most Popular

Professional

For commercials, music videos, and premium content

$350/minute
  • Advanced color sculpting
  • Complex shot matching
  • Custom LUT creation
  • HDR grading available
  • Professional noise reduction
  • 4K+ deliverables
  • 3 revision rounds
  • 24-hour rush option

Feature Film

Theatrical and long-form color for discerning filmmakers

Custom
  • Dedicated colorist
  • Dolby Vision certified
  • HDR10+ deliverables
  • Film stock emulation
  • Unlimited revisions
  • Theatrical DCP mastering
  • Archival preservation masters
  • Attended sessions available

The Grading Suite

Cinema-caliber color correction environment

Software

  • DaVinci Resolve Studio
  • Baselight
  • FilmConvert Nitrate
  • Dehancer Pro
  • Colourlab.ai

Hardware

  • Mac Studio M2 Ultra
  • RTX 4090 GPU
  • 48TB NVMe RAID
  • 10GbE Network
  • Calibrated I/O

Monitoring

  • Flanders DM250 OLED
  • Apple Pro Display XDR
  • Sony BVM-HX310
  • Reference-grade calibration

Control

  • Tangent Ripple
  • Avid Artist Color
  • Tangent Wave2
  • Stream Deck XL

Color Transformations

Before and after: the power of professional grading

Midnight Run

Feature Film Grade

Midnight Run

Electric Dreams

Music Video Look

Electric Dreams

Pure Sport

Commercial Grade

Pure Sport

Human Stories

Documentary Naturalism

Human Stories

Color Grading FAQ

Expert answers about post-production color

Everything professional: RED RAW, ARRI RAW, Sony X-OCN, Canon Cinema RAW, ProRes, DNxHD/HR, and Blackmagic RAW. We can also work with H.264/H.265 if that's your source — we'll maximize what you have.

Let's Color Your Project

Upload footage for a free grading assessment

hello@blkrip.vip
+1 (323) 555-0147
Los Angeles, CA

Ready To Transform Your Footage?

Send us your log files and we'll show you what they're really capable of — free grading assessment within 24 hours

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